Most companies have creatives who resist new technology and technologists who don't understand storytelling. I operate in that gap. It's where I do my best work.

I started on the VFX floor at Digital Domain, then spent a decade directing global brand campaigns for Apple, Nike, and Microsoft, Emmy-winning title sequences, and documentaries with Errol Morris. That maker background is what lets me do what I do now: build and run multi-project creative operations across formats that don't usually talk to each other.

As a feature producer, I developed SAMO Lives, the Basquiat biopic, from scratch over five years, packaging it with NEON, MACRO, and Fifth Season and managing the project from financing through principal photography and into post. I produced Luce, which premiered at Sundance as a Grand Jury Prize nominee. And I took over Rock Dog, a stalled $35M animated feature, restructured it, and got it distributed worldwide through Lionsgate.

At Hexagram, I led creative and production for an interactive studio building AI prototypes for Meta and Disney, and location-based installations for Expo 2020 Dubai.

I also co-found ventures in AI storytelling and spatial computing, and advise organizations on where emerging production technology creates real value and how to get creative teams to actually adopt it. Kellogg MBA (2024) for the strategic frameworks. Two decades of production for the instincts.